Showing posts with label Motorhead. Show all posts
Showing posts with label Motorhead. Show all posts

Monday, February 16, 2009

ZEKE - OCTOBER 2004


Originally published in: Monday Magazine

www.mondaymag.com

Album: 'Til the Livin' End (Relapse Records)

Random thoughts: I just remember how incredibly fast and tight they were when they played here. It was the kind of thing that, had I known how good they were live, I probably would have blathered on about it in the story. Alas, the preview story, how bittersweet it can be sometimes.


Zeke ‘n’ Roll

Seattle speed-meisters in it for the long haul

By Jason Schreurs

Okay, the dudes in Motorhead are obviously getting on in years. So the burning question on my mind when I got Zeke skin-basher Donny Paycheck on the line was, if Lemmy and crew ever decide to pass the torch to a younger band, will they be there to take it?

“Certainly,” laughs Paycheck. “Definitely, I’d love to carry on the torch for that guy. Wow, what a fucking legend that cat is.”

Since the early ‘90s, the unabashedly Motorhead-influenced Seattle trio have been cranking out the tunes hard and fast, becoming known as one of the fastest bands in the land. Incredibly, Zeke’s new album and first for extreme music label Relapse, ‘Til the Livin’ End, picks up the clip even more. According to Paycheck, the secret to playing no-frills punk rock is really no secret at all.

“I dunno, I guess it’s just not having any frills,” he deadpans. “That’s just the way we are. We’re just into the bands we’re into, you know, Motorhead, The Dwarves, The Ramones, and Black Sabbath. We just wanted to be the hardest, fastest rock that we could possibly be. It’s not a plan. We dress and act like this every day. If I wear a fucking flannel and baseball cap, that’s me.”

Despite the band now calling a label mostly known for heavier bands their home, Zeke feel they are promoted a lot better than in the years they spent on punk biggie Epitaph.

“Relapse does extreme music and Zeke is extreme,” says Paycheck in a stoner dude sort of drawl. “They put out a defining band in each genre of music that they like, and that’s what they consider us: A defining punk band. With Relapse it comes so fucking natural and easy in comparison to having to call up Epitaph and say, ‘Hey, listen, our buddies Pearl Jam want to put us on a couple of shows. Do you think ya’ll should advertise for it?’ And they’re like, ‘Ah well, you know, grumble, mumble.’ Well, fuck, man!”

It was Zeke’s all-pistons-firing live show that caught the attention of Pearl Jam, with Eddie Vedder even collaborating with the Zeke-sters at one point. So what can we expect from their upcoming Victoria gig and first trip to BC?

“It’s gonna be probably the fastest, most intense rock show you’ve seen in a long time,” says Paycheck, daring us by adding, “Probably it rivals seeing a Slayer show. I don’t know if the crowds will know what to do.”



Monday, February 2, 2009

CURSED - APRIL 2005

Originally published in: Monday Magazine

www.mondaymag.com

Album: Two 

(Goodfellow Records)

Random thoughts: Cursed broke up last year. Shitty deal. And all that stuff about them being really loud when they played live? Not an exaggeration. At all.


Throat lozenge, anyone?

Damaged vocal chords and busted eardrums with Cursed

By Jason Schreurs

Cursed screamer Chris Colohan is sounding like he blew a gasket or two on the Toronto metal/hardcore band’s recent jaunt through Europe and the US. And as long as he hasn’t completely annihilated his throat, he should be good to go for their upcoming batch of shows heading back across Canada.

“I don’t want to have to go to the doctor, but I’m sure I’ll find out one day,” says Colohan. “But it’s our hearing that’s probably going to go first.”

True enough. Cursed, featuring longtime members of the Toronto hardcore scene and bands like Left for Dead and The Swarm, has become known for being one of Canada’s loudest bands, often bringing with them more guitar and bass cabinets than most eardrums can handle. But it’s Colohan’s raging vocals that sound the most inhuman.

“I kind of have to wreck my voice to make it work. I have to fuck it up and then it’s okay,” says Colohan about his unique technique and corresponding devil scream. “I don’t think I ever knew what the hell I was doing and I don’t really think I do now. I just kind of scream my fucking head off and the chips fall where they do.”

Complimenting the band’s Motorhead meets Black Flag mayhem this time out is a nasty, dirty, raw (and completely analog, to boot) production sound for their second full-length, aptly titled Two, on Goodfellow Records out of Hamilton.

The throbbing racket comes courtesy of one Ian Blurton, best known for his production work with The Weakerthans, and the latest in a long line of his own bands, C’mon. Who, incidentally, Colohan has roadied for in the past. Cosmic Cursed connections, indeed.

“[Blurton] just has a really good grip on what we’re already trying to do and helped us focus into something a little more… I can’t say polished, because nothing we’re ever gonna do will come out that polished, but we’re all really happy with the way it turned out,” he says.

When Cursed hits town Tuesday, one thing avid record collector Colohan looks forward to, besides a soothing cup of tea, is a visit to Turntable, Victoria’s most authentic vinyl emporium. But better make that a short visit.

“That place is dangerous,” he laughs. “I’ve got to be careful with my money when I go in there.”

For more info, go to yourfuckingfuneral.blogspot.com